![]() The value of such rich digital visuals lies in what Sandor calls their “wow factor,” according to Sam Zeller, neutrino physicist and science advisor for the artist-in-residence program. “But all of the images will be exciting and artistic.” “We want to tell the story with scientific visualization and also with abstraction,” Sandor says. The group will use PHSColograms, sculpture, 3D printing, virtual reality and projection mapping in a body of work that will eventually be on display at the lab. In the 1980s she invented a new medium called PHSColograms, 3-D images that combine photography, holography, sculpture and computer graphics to create what she calls “immersive” experiences. Sandor is known as a pioneer of virtual photography. Their goal is to put their own cutting-edge technologies to use in scientifically accurate and “transcendent” artworks that tell the story of Fermilab’s past, present and future, the artist says. But, just as importantly to the artists, the scientists were excited about the way it celebrated their work, “even though it was removed from their context,” Jarman says.Īt the Department of Energy’s Fermilab, another group of artists has taken on the challenge of “visualizing the invisible.” Current artist-in-residence Ellen Sandor and her collaborative group (art)n have been brushing up on neutrinos and the machines that study them. ![]() The piece won multiple awards at international film festivals. “Are we observing a series of scientific experiments, the universe in flux or a documentary of a fictional world?” the artists ask on their website. “It’s such an amazing place and we only really touched the surface.”īut they have a lot of faith in the process based on past experiences working in scientific settings.Ī 2007 work called “Magnetic Movie” was based on a similar stay at NASA’s Space Sciences Laboratories at UC Berkeley, where the artists captured the "secret lives of invisible magnetic fields." In the film, brightly colored streams and blobs emanate from various rooms at the lab to the sounds of VLF (very low frequency) audio recordings and scientists talking. “We also dug around a lot in the archives,” Gerhardt says. “Particle physics is the most challenging subject we’ve ever worked with because it’s so difficult to create a tangible idea about it, and that’s kind of what we are all about,” Jarman says, adding that they are fully up for the challenge.īesides speaking with theorists and experimentalists, the artists explored interesting spaces at CERN and filmed both the construction of a new generation of magnets and a workshop where scientists were developing prototypes of instruments. They soaked up all they could during their two-month stay in late 2015 and are still processing interviews and materials they’ll use to develop a major work based on their experiences. The physicist laughed when he made that statement, but the artists, Ruth Jarman and Joe Gerhardt, are comforted by the sentiment. “Because honestly, I cannot explain quantum mechanics even to a scientist.” “I tried to show them how we develop an intuition for quantum mechanics by applying the principles and getting used to the way it functions,” Alvarez-Gaume says. In July they were awarded a CERN residency as part of the Ars Electronica Award. They’ve done multiple short films, museum pieces and festivals all over the world. ![]() He recently spent some time demonstrating physics concepts to Semiconductor, a duo of visual artists from England known for exploring matter through the tools and processes of science. That’s why artist residencies at particle physics labs play an important part in conveying their stories, according to CERN theorist Luis Alvarez-Gaume. ![]() When it comes to quantum mechanics, it’s easier to show than tell.
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